BIHAREA 2018 CONTENTS
ETNOGRAPHY
SABINA HORVATH: La reconstitution des activités ménagères dans les villages de
Tara Crisurilor II ………………………………………………………………. 9
IOAN GOMAN: Information about The Association of Small Craftsmen in Biharia in the middle of the xxth century …………………………………………………………………………….. 23
MELANIA ȚĂRĂU: The typology of households in the villages belonging to Cărpinet commune ……………………………………………………………….. 41
SABINA HORVATH: Considerations regarding decorative ponevi from the collection of the Etnography Departament of Criș County Museum…………. …………………………… 69
IOAN GOMAN, BARBU ȘTEFĂNESCU: Some layouts about the functioning of romanian ,,neighbourhoods” in Veseud village (Sibiu county) in the first half of the XXth century ………………………………………………………………… 79
SABINA HORVATH: The spiritual meaning of the hero croses of the wooden churches in Beiuș dingle ………………………………………………………………… 99
VASILE TODINCA, IOSIF TOCOIAN: The spiritual meaning of the hero croses of the wooden churches in Beiuș dingle ………………………………………………………………… 109
MARIA FLAVIA POP: The folklore of the calendar year customs in Nimăiești …….. 131
ART
AGATA CHIFOR: Baroque scenography in “Aaron’s Sanctification”, Claude Lorrain’s School (the beginning of the 18th Century), Universal Painting Collection, Oradea Complex Museum ……………………………………………………………………………………………….. 147
MARIA ZINTZ: Fine arts artists in Oradea- the sculptors Rodica Stanca Pamfil, Doina Tătar and Rodica Ungureanu ……………………………….. 171
MUSEOGRAPHY
IACINTA CHIRIAC: The Collection of the Ethongraphy of the Țării Crișurilor Museum in Oradea – the process of packaging and transporting the secific patrimony from the old to the new residence ……………………………….. 207
SZILÁGI MÁRIA ILDIKÓ: The Collection of the Art of the Țării Crișurilor Museum in
Oradea – the process of packaging and transporting the secific patrimony from the
old to the new residence …………………………………………………… 225
TRANSLATION
ANA MARTIN: (Esthétique de la gravure italienne, par Pierre Poirier, Académie Royale de Belgique, Classe des Beaux-Arts, Mémoires, Tome XI, Bruxelles, Palais des Académies, Rue Ducale, I, 1964 – Traduction roumain par Ana Martin) · La quatrieme partie …………. 195