BIHAREA 2012 CONTENTS
ETNOGRAPHY
SABINA HORVATH: Data on the Butchers’ Guild from Oradea Between The 18th and the 19th Century ………………………………………………. 7
ADRIAN APAN: Beitrage uber wein und weinberge des eriul tals..…………….. 19
IOAN GOMAN: The situation of the Crafting Activities in
Oradea At the middle 19th Century …………………………………….. 33
VASILE TODINCA: The House in the Village of Bihor at the beginning of the 20th century (I) …………………………………….. 75
ART
MARIA ZINTZ: Plastic artists from Oradea (plastic art in Oradea) ……………… 153
ANA MARTIN: The Austrian Engraving School. Novel works from the Ţara Crişurilor Collection. Part Two. Adam Bartsch …………….183
AGATA CHIFOR: Mythe historique et représentation artistique – La Chute de la Troie de ľécole de Federico Barocci, Musée ď Oradea………………………………….. 203
MUZEOGRPHY
VASILE SARCA: From the history of the first building owned by the Archeology and History Society of Bihor County, City of Oradea between the years 1889 and 1917. Grandeur and glory (part I) ……………………………………………………………….. 217
SZILÁGYI MÁRIA ILDIKÓ, VASILE SARCA: Le travail préparatoire de la collection de sculpture du Musée d’Oradea pour le transfert dans une nouvelle siège, considérations
sur le processus d’amballage (IV) ……………………………………………………………….. 273
ERIKA POSMOȘANU, Cross-border cooperation project HUROMUZEUM –„Establishing a commanding restorer workshop centered in Debrecen-Oradea” – HURO 0901/024/2.5.1 ………………………………283
RESTAURATION
FLORIAN HEREDEA: An Approach for Rising the Performance Degree of Restoration, an Argument for Accessing Programmes for the Purchase of Equipment for Restoration Labs ……………………………….291
IRENE MĂRGINEAN, PRECUB ATTILA: The restoration of the main gate of the former Cadets School from Oradea, today the new „Ţara Crişurilor” Museum’s seat ……………………………….295
ARTICLES AND NOTES
TAMAS ALICE: From The History of a Monument from Oradea. The Cadet School, The Present Location of Ţara Crişurilor Museum ……………………………….311
ALEXANDRU MAGHIAR: The extinction of the traditionally hydraulic installations in the Crişana region between 1946-1974 ……………………………….319
IOANA ȘTEFAN: Kritik zwischen 1890-1903. Über den deutschen Einfluss im Mihai Eminescus Werk ……………………………….371
REVIEWS
SORIN BULZAN: Blaga Mihoc, Judecata cea dreaptă, Editura Logos 94, Oradea, 2012, 507 ………………………………………387